Viktor Shvaiko

Above: “Sunny Day in Venice” 1999, 55 x 34” limited edition of 325.

Just in! Two romantic realism hand-embellished giclees on canvas by Viktor Shvaiko. These are both hard-to-find, sold out limited editions.

BIOGRAPHY: Born in Altai, one of Russia's most remote and off-the-beaten-track towns, Viktor Shvaiko grew up surrounded by the beauty of the wilderness. His natural inclination for fine arts and his strong urge to share his vision of nature drove him to find a way into the Novoaltaisk Artistic School, one of the two best schools for the arts in the former Soviet Union. Four years of strenuous studies enabled Viktor, a very diligent student, to acquire the skills of a true artist.

Viktor credits his teacher, Ilbek Khairoullinov, for a true fine arts education. A strict regimen of drawing, an intricate technique of using colors, and the influence of the 19th century Russian artist Karl Brynllow brought Viktor Shvaiko close to a traditional academic style of painting. After having attained technical excellence in the manner of these traditional influences, the artist now possessed the tools with which to express his feelings to the world.

Above: “Conte Pescaor” 1997, 47 x 32” limited edition of 325.

At this point, Viktor's main focus became the beautiful Altai landscapes.

The Shvaiko family then moved to Transkarpathia, the western mountainous portion of Ukraine. There Viktor became enchanted with the picturesque and breathtakingly beautiful countryside. He continued to paint and was invited to show in two one-person expositions in Moukachevo in 1990 and a group exhibition in Hungary in 1991.

Shvaiko chafed under the stifling effect that the lingering Russian bureaucracy had on the careers of young artists. Unable to get a visa to a Western country, Viktor was permitted to travel to Yugoslavia. In the confusion of the civil war, he fled to Italy with his paintings strapped to his back, often encountering gunfire from roving bands of militia.

Above: “Bordeaux and Pearls” 2004, 44 x 30” limited edition of  60.

Having arrived in Italy virtually penniless, Viktor survived by selling his paintings on the streets of Rome. He managed to build a following for himself, and save some money. He eventually returned to a now more liberalized Russia, and was able to obtain passage to America.

Arriving in New York with little money and less English, Viktor was again able to survive by selling his work. It was here he developed his penchant for painting the little cafes and other intimate places that we see in his work today, and that have become his trademark. His enticing mix of beauty and mystery has drawn the interest and admiration of collectors from around the world.

Michael & Inessa Garmash

Just in! Two sold-out limited edition hand-embellished giclees on canvas by Michael and Inessa Garmash.
At left is “Toes in the Sand,”  30 x 24”, from an edition of 195.
Below is “A Walk on the Beach,” 48 x 24”, from an edition of 95.


Husband and Wife Team, Romantic Impressionists 

It all started in the little town of Lugansk in Ukraine, 1969. An early starter, Mr. Garmash began painting at the age of three. By age six he started his formal education at the Lugansk Youth Creative Center. Recognizing rare, natural talent, his teachers sent his works to a variety of exhibitions in the then Soviet Union.
An award winning artist from the onset, Mr. Garmash received first prizes at several juried exhibitions, including the Lugansk Regional Juried Exhibition—1977 (Best Poster), the Czechoslovakian International Youth Competition—1978, and the Hungarian International Art Competition of Circus Related Art—1978.  
After graduating, valedictorian from the Lugansk State Fine Art College in 1987, Mr. Garmash began teaching there the following year. From 1989 to 1991, he served in the army (when he met his wife and partner, Inessa) and in 1992 began studying at the St. Petersburg Academy of Art. Prior to graduating at the top of his prestigious school’s class, Mr. Garmash exhibited in France at galleries in cities such as Paris, St. Etienne, Avignon, Lion and Marcel.  
Mr. Garmash also took part in the annual Exhibitions in St. Petersburg, Russia. In addition to painting, he has also excelled in the creation of stained-glass windows and received an honorary medal for his work in the Suvorov Military Museum in St. Petersburg.
Ms. Garmash, born Inessa Kitaichik in 1972 Lipetsk, Russia, has excelled in the arts since early childhood. Proving herself in ballet, gymnastics and music, Ms. Garmash attended classes in all three disciplines and, after graduating from music and ballet school, entered the Lugansk Fine Art School at age fifteen. At seventeen she was accepted as that year's best undergraduate to the Lugansk State Fine Art School. 
Today, Mr. and Mrs. Garmash are considered two of the finest Romantic Impressionists of our day. Their incredible talent is only matched by their love and career stories. In similar fashion to the determination of his artwork, Mr. Garmash courted his future wife, after seeing her for but a moment, by painting her image all over her hometown while she slept. She immediately recognized the passion with which this man cared so dearly and married him shortly thereafter.
The Garmashs began their artistic collaboration in much the same way. Several years after their marriage, Mr. Garmash began a painting of their two-year old daughter, Polina, for a project at school. However, Polina found the painting during her father’s absence and decided to embark upon her own artistic career. Ms. Garmash, after seeing what her daughter had done and not wanting her husband to be upset, fixed the painting using her own training, packed it up and gave it to him for submission. Mr. Garmash submitted the painting for review and was praised for completing his best work ever. He was surprised to see the "new" painting and immediately recognized his wife's hand. They have painted together every since.